Georgia Douglas Johnson

rereading the harlem renaissance

  • Georgia Douglas Johnson
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Bibliography

Battey, Cornelius Marion. W.E.B. Du Bois, 1918. 1919. Photograph. Library of Congress, Washington, D.C. Library of Congress. Web. 4 Dec. 2015.

Bornstein, George. “How to read a page: modernism and material textuality.” Material Modernism: The Politics of the Page. New York: Cambridge UP, 2001. 5-31. Print.

Braithwaite, William Stanley, ed. Anthology of Magazine Verse for 1917. Boston, Mass: Small, Maynard, and Company, 1917. Print.

—. “Introduction.” The Heart of a Woman and Other Poems. Boston, Mass: The Cornhill Company, 1918. Print.

—. “Georgia Douglas Johnson.” The Crisis. 17.6 April 1919. 280.

—. “Resurrection.” The Crisis Apr. 1911: 17. Print.

Calverton, V. F. Anthology of American Negro Literature. New York: The Modern Library, 1929. Print.

Churchill, Suzanne W. “Little Magazines and the Gendered, Racialized Discourse of Women’s Poetry” A History of 20th-Century American Women’s Poetry, ed. by Linda Kinnahan, Cambridge: Cambridge UP. 2015. Print.

Combahee River Collective. “A Black Feminist Statement.” Capitalist Patriarchy and the Case for Socialist Feminism, ed. Zillah R. Eisenstein. New York: Monthly Review Press, 1978. 362-373. Web.

Crenshaw, Kimberle Williams. “Demarginalizing The Intersection Of Race And Sex: A Black Feminist Critique Of Antidiscrimination Doctrine, Feminist Theory And Antiracist Politics.” University Of Chicago Legal Forum 1989.1 (1989): 139-167. Web.

Crunch. “Legends of the Ball X: The Combahee River Collective.” Digital image. …Or Does it Explode? WordPress, 5 Sept. 2010. Web. 2 Dec. 2015.

Du Bois, W. E. B. “Foreword.” Bronze. Boston, Mass: B. J. Brimmer Company, 1922. Print.

—. “Criteria of Negro Art.” The Crisis Oct. 1926: 290–7. Print.

—. The Souls of Black Folk, 1996. http://www.gutenberg.org/ebooks/408.

—.  “Editorial.” The Crisis. Nov. 1910: 10. Print.

Eliot, T.S. “The Love Song of J. Alfred Prufrock.” Prufrock and Other Observations. Bartleby.com. 1920. Web.

“Experimental Theatre Group Gives ‘Plumes’: Semi-Private Performance of Georgia Douglas Johnson’s Play Presented.” Afro-American. 6 July 1929: 9. Print.

Fauset, Jessie. “Review of ‘The Heart of a Woman’ by Georgia Douglas Johnson.” The Journal of Negro History Oct. 1919: 467–468. Print.

Giavana, Margo. “Intersectionality Video.” Online video clip. YouTube. YouTube, 20 Nov. 2014. Web. 14 Nov. 2015.

Hull, Gloria T. Color, Sex, and Poetry: Three Women writers of the Harlem Renaissance. Bloomington: Indiana UP, 1987. Print.

Ikonné, Chidi. From DuBois to Van Vechten: The Early New Negro Literature, 1903-1926. Westport, Conn.: Greenwood Press, 1981. Print. Contributions in Afro-American and African Studies ; 0069-9624 No. 60,; Contributions in Afro-American and African Studies ; 0069-9624 No. 60.

Johnson, Georgia Douglas. “A Sonnet: To the Mantled!” The Crisis May 1917: 17. Print.

—. Bronze. Boston, Mass: B. J. Brimmer Company, 1922. Print.

—. GDJ to Arna Bontemps. 19 July 1941. Letter.

—. The Heart of a Woman and Other Poems. Boston: The Cornhill Company, 1918. Print.

—. “Plumes.“ The Plays of Georgia Douglas Johnson: From the New Negro Renaissance to the Civil Rights Movement. Ed. Judith Stephens. Chicago: University of Illinois Press, 2005: 74-82. E-book.

—. “Poems.” The Crisis Oct. 1917: 292-93. The Modernist Journals Project. Web. 6 Nov. 2015.

—. “Shall I Say, ‘My Son, You’re Branded’?” Bronze. B.J. Brimmer Company: Boston, 1922. Archive.org. Web.

—. “Shall I Say, ‘My Son, You Are Branded’?” The Crisis. W.E.B. DuBois, ed. 18.4 (1919): 188. Modernist Journals Project. Web.

Jones, Gwendolyn S. “Georgia Douglas Johnson (1880?-1966).” African American Authors, 1745-1945: A Bio-Bibliographical Critical Sourcebook. Ed. Emmanuel S. (ed. and preface) Nelson. xvi, 525 pp. Westport, CT: Greenwood, 2000. 284–289. Print.

Kemp, Melissa Prutney. “African American Women Poets, the Harlem Renaissance, and Modernism: An Apology.” Callaloo: A Journal of African Diaspora Arts and Letters 36.3 (2013): 789–801. Print.

Locke, Alain. Thomas Montgomery Gregory, and Aaron. Douglas. Plays of Negro Life : A Source-Book of Native America Drama.New York: Harper & Bros., 1927. Print.

“Mantle, N.” OED Online. Oxford University Press. Accessed November 11, 2015. http://www.oed.com/view/Entry/113712.

McKible, Adam and Suzanne Churchill. Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies. 20.3 (2013): 427-431. Web.

McGann, Jerome J. The Textual Condition. Princeton, NJ: Princeton UP, 1991. Print.

Pancheri, Sam. “Interlocking Systems of Oppression.” Digital image. A Curious Orange. Blogspot, 28.Aug. 2o14. Web. 2 Dec. 2015.

Rabaka, Reiland. “W.E.B. Du Bois and ‘The Damnation of Women’: An Essay on Africana Anti-Sexist Critical Social Theory.” Journal of African American Studies 7.2 (2003): 37–60. Print.

Roses, Lorraine Elena, and Ruth Elizabeth Randolph. Harlem Renaissance and Beyond: Literary Biographies of 100 Black Women Writers, 1900-1945. Boston, MA: G.K. Hall, 1990. Print.

Scholes, Robert, and Clifford Wulfman. Modernism in the Magazines: An Introduction. New Haven: Yale UP, 2010. Print.

Shafer, Yvonne. American Women Playwrights, 1900-1950. New York: Peter Lang, 1995. Print.

Shwartz, Benjamin. Daily Cartoon: Friday, November 13th. 2015. Cartoon. The New Yorker, n.p.

Stavney, Anne. “‘Mothers of Tomorrow’: The New Negro Renaissance and the Politics of Maternal Representation.” African American Review 32.4 (1998): 533–561. JSTOR. Web.

Stephens, Judith L. “Art, Activism, and Uncompromising Attitude in Georgia Douglas Johnson’s Lynching Plays.” African American Review 39.1/2 (2005): 87–102. Print.

Sullivan, Megan. “Folk Plays, Home Girls, and Back Talk: Georgia Douglas Johnson and Women of the Harlem Renaissance.” College Language Association Journal 38.4 (1995): 404-419. Print.

Tate, Claudia. “Introduction.” Georgia Douglas Johnson: The Selected Works of Georgia Douglas Johnson. New York: G.K. Hall, 1997. xvii-lxix. Print.

Thaggert, Miriam. Images of Black Modernism: Verbal and Visual Strategies of the Harlem Renaissance. Amherst: University of Massachusetts Press, 2010. Print.

Thomas, William Hannibal. The American Negro: What He Was, What He Is, and What He May Become. The Macmillan Company: New York, 1901. Documenting the American South. University of North Carolina at Chapel Hill. Web.

“The Wage Gap, by Gender and Race.” Infoplease. © 2000–2015 Sandbox Networks, Inc., publishing as Infoplease. 29 Nov. 2015 <http://www.infoplease.com/ipa/A0882775.html>.

Wilson, Sondra K., and National Association for the Advancement of Colored People. The Crisis Reader: Stories, Poetry, and Essays from the N.A.A.C.P.’s Crisis Magazine. 1st ed. New York: Modern Library, 1999. WorldCat Discovery Service. Web. 26 Oct. 2015. Modern Library Harlem Renaissance; Modern Library Harlem Renaissance.

Young, Patricia Alzatia. “Female Pioneers in Afro-American Drama: Angelina Weld Grimke, Georgia Douglas Johnson, Alice Dunbar-Nelson, and Mary Powell Burrill.” Ph.D. Bowling Green State University, 1986. ProQuest. Web.

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